Crowley has been an influence for a string of popular musicians throughout the 20th century. The hugely popular band The Beatles included him as one of the many figures on the cover sleeve of their 1967 album Sgt. Pepper's Lonely Hearts Club Band, where he is situated between Sri Yukteswar Giri and Mae West. A more intent interest in Crowley was held by Jimmy Page, the guitarist and co-founder of 1970s rock band Led Zeppelin. Despite not describing himself as a Thelemite, Page was still fascinated by Crowley, and owned some of his clothing, manuscripts and ritual objects, and during the 1970s bought Boleskine House, which also appears in the band's movie The Song Remains the Same.
On the back cover of the Doors 13 album, Jim Morrison and the other members of the Doors are shown posing with a bust of Aleister Crowley. Author Paulo Coelho introduced the writings of Aleister Crowley to Brazilian rocker Raul Seixas, who went on to write and perform songs (most notably, "Viva a Sociedade Alternativa" and "Novo Aeon") that were strongly influenced by Crowley. The later rock musician Ozzy Osbourne released a song titled "Mr. Crowley" on his solo album Blizzard of Ozz, while a comparison of Crowley and Osbourne in the context of their media portrayals can be found in the Journal of Religion and Popular Culture. Crowley has also been a favourite of Swiss Avant-Garde metal band Celtic Frost. In fact, the song Os Abysmi Vel Daath from Monotheist is based partially on some of his writings. In the early 1990s, British Indie band Five Thirty carried with them on tour a front door which they alleged had belonged to Crowley. The door was placed prominently on stage during their gigs.
Famous quotes containing the word music:
“Music is either sacred or secular. The sacred agrees with its dignity, and here has its greatest effect on life, an effect that remains the same through all ages and epochs. Secular music should be cheerful throughout.”
—Johann Wolfgang Von Goethe (17491832)
“The basic difference between classical music and jazz is that in the former the music is always greater than its performanceBeethovens Violin Concerto, for instance, is always greater than its performancewhereas the way jazz is performed is always more important than what is being performed.”
—André Previn (b. 1929)