The Gentlemen's Alliance Cross - Plot

Plot

Haine Otomiya, a 15-year-old high school student at the elite private Imperial Academy (帝国学園 Teikoku Gakuen), was apparently sold to the Otomiya family by her father, Kazuhito Kamiya, for 50 million yen. Disoriented with her place in life, she became a gang member until she met Shizumasa Tōgū, who told her to live life how she wanted to. Recognizing Shizumasa as the author of a treasured picture book given to her from father, Haine reformed herself and entered the Imperial Academy to try and win his love.

However, Shizumasa is the Koutei (皇帝, Kōtei, lit. emperor) of the school, the sole Gold rank student as the admired President of the Student Council. Through various circumstances, the Bronze-ranked Haine is tricked into becoming Shizumasa's bodyguard and assigned the special rank of Platinum - which designates her as the Koutei's companion. To Haine's surprise and disappointment, Shizumasa claims not to know her and acts coldly toward her. Still determined to win his love, she soon learns that the Koutei is not Shizumasa, but his twin brother Takanari. In the brothers' childhood, Shizumasa won the right to be recognized as the heir to the prestigious Tōgū family, which left Takanari to become his brother's "shadow" and was reported to have died. Because Shizumasa is sickly, Takanari is forced to assume Shizumasa's identity and reluctantly falls in love with Haine. Their relationship is strained by Haine's uncertainty as to whether she loves Shizumasa, whose kind words saved her during her darkest crisis of identity, or Takanari, who is revealed to be the author of her beloved story book.

Read more about this topic:  The Gentlemen's Alliance Cross

Famous quotes containing the word plot:

    After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.
    Mary Kay Blakely (20th century)

    If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.
    John Ashbery (b. 1927)

    James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.”
    James Thurber (1894–1961)