The Game
There were always eight competitors, hence the catchphrase "Let's meet the eight who are going to generate" used in earlier series by Bruce Forsyth. In the first two rounds, two couples would compete against each other in two games. One game usually involved first seeing a skilled professional construct or perform something, such as pottery or dancing. The contestants would then attempt to do the same, and a score would be given by the professional. The other game usually involved more of a quiz element, such as identifying pieces of music. At the end of each of the first two rounds, the couple with the lowest score was eliminated.
The two highest-scoring couples then competed against each other in the final (or End Game as Larry Grayson called it). This was often a big set-piece performance; in the series presented by Bruce Forsyth it was usually a drama or farce, in later programmes a musical or dance performance. The couple that scored the highest went through to the final 'conveyor belt'.
At the end of the show, one member (or in later series both members) of the victorious team watched prizes pass on a conveyor belt, and then won as many as could be recalled in a set time. A trademark of the show was that a cuddly toy was always among the prizes. This led to an affectionate joke: "Dinner service...fondue set...Cuddly toy! Cuddly toy!", which is often quoted whenever the show is mentioned. The audience would shout out the names of the prizes, allowing the contestants to carry away large numbers of items.
Read more about this topic: The Generation Game
Famous quotes containing the word game:
“Intelligence and war are games, perhaps the only meaningful games left. If any player becomes too proficient, the game is threatened with termination.”
—William Burroughs (b. 1914)
“My first big mistake was made when, in a moment of weakness, I consented to learn the game; for a man who can frankly say “I do not play bridge” is allowed to go over in the corner and run the pianola by himself, while the poor neophyte, no matter how much he may protest that he isn’t “at all a good player, in fact I’m perfectly rotten,” is never believed, but dragged into a game where it is discovered, too late, that he spoke the truth.”
—Robert Benchley (1889–1945)