Literary Style
Stylistically, the two main parts of the novel are written as a) a third-person narrative ("Underberg" - part one) and b) a first-person narrative ("Prisonaires" - part three) with distinctive dialogue, though toward the very end of the book dialogue-intensive scenes and the brief entry of “Liner Notes” (part two) by Dylan are introduced to mirror his alienation from society. Since the work covers Dylan's life from the time he was a child to his growing independence and moral detachment from Brooklyn as a young man, the style of the work progresses through each of its thirty-four chapters, with the complexity of language gradually increasing. However, throughout the work, slang and music are used to portray indirectly the state of mind of the protagonist, and the subjective impact of the events of his life. Through the use of these sly literary devices Lethem intends to capture the subjective experience through music, rather than to present the actual experience through prose narrative.
Read more about this topic: The Fortress Of Solitude (novel)
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“His style is eminently colloquial, and no wonder it is strange to meet with in a book. It is not literary or classical; it has not the music of poetry, nor the pomp of philosophy, but the rhythms and cadences of conversation endlessly repeated.”
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“I might say that what amateurs call a style is usually only the unavoidable awkwardnesses in first trying to make something that has not heretofore been made.”
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