Reception
Reviews for the film were very positive. The film received an overall rating of 98% on Rotten Tomatoes, therefore obtaining a "Certified Fresh" award. Roger Ebert of the Chicago Sun-Times wrote, "Although McNamara is photographed through the Interrotron, the movie is far from offering only a talking head. Morris is uncanny in his ability to bring life to the abstract, and here he uses graphics, charts, moving titles and visual effects in counterpoint to what McNamara is saying." Peter on Internet Movie Database wrote; "Robert McNamara: Good or Evil?" lies entirely in the mind of the beholder, and very few minds appear capable (or willing) to think outside one of those two extremes. Hopefully that is just a sign of our times, and one day it will end so that people can appreciate this film for what it is: McNamara's "memoirs" edited by another person. It's not necessarily the truth, but not necessarily a revisionist version of history either. It's just McNamara talking about his life experiences in his own way, for his own reasons. And it's fascinating.
However, some of the reviews were not as flattering. Charles Taylor of Salon.com wrote, "Errol Morris tries to pin down Vietnam War chess-master Robert McNamara, and the results are fascinating -- also troubling, deeply confusing and way too artistically precious." He especially emphasizes the fact that this particular documentary has been blurred with many unnecessary artistic techniques that could have been avoided. Nonetheless, Curt Holman of Creative Loafing had a largely positive view on those techniques used in the film. He writes, "Morris uses a device he calls the "Interrotron," which permits his subjects to look directly at the camera and see Morris on a small monitor. The effect on film is that the interviewees appear to sustain eye contact with the audience."
Read more about this topic: The Fog Of War
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