Production
The film was produced by Mel Brooks, who had been impressed by Lynch's earlier film Eraserhead at a private screening. Brooks made sure that his name was not used in the marketing and promotion of the film because he did not want fans to expect that the film would be a comedy. It was Lynch's second feature film, and his first studio film.
Hurt's makeup was made from casts of Merrick's body, which had been preserved in the private museum of the Royal London Hospital. Lynch originally attempted to do the make-up himself, but the results were not filmable. The final make-up was devised by Christopher Tucker. It was so convincing that the Academy of Motion Picture Arts and Sciences — which had earlier refused to give a special award to Tucker's work on The Elephant Man and received a barrage of complaints – was prompted to create a new category for Best Make-up for the Oscars.
In addition to writing and directing the film, Lynch provided the musical direction and sound design. During its depiction of the final moments of Merrick's life, the film uses "Adagio for Strings" by Samuel Barber.
Read more about this topic: The Elephant Man (film)
Famous quotes containing the word production:
“In the production of the necessaries of life Nature is ready enough to assist man.”
—Henry David Thoreau (1817–1862)
“The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.”
—Albert Camus (1913–1960)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)