The Doomsday Scenario is the collective name of a series of Judge Dredd comic stories published in 2000 AD (progs 1141-1164) and the Judge Dredd Megazine (vol. 3 #52-59) in 1999. Written by John Wagner, it was the third such crossover story between those two publications, but was the first in which it was possible to read a complete and coherent tale by reading only those episodes which appeared in one comic or the other without having to buy both magazines. It was reprinted as two trade paperbacks, each collecting the episodes from one comic. When first published it was the longest Judge Dredd story arc ever told, at a total of 32 episodes and 279 pages, as well as several prequels and epilogues. The story tells of the Second Robot War in the year 2121, but its epilogues wrapped up two story arcs that had been developing for several years: former judge Galen DeMarco's unrequited love for Judge Dredd, and Dredd's bitter rivalry with Judge Edgar. The story is also notable for leading to the promotion of Judge Hershey, Dredd's sidekick and one of the strip's longest-running supporting characters, to the office of chief judge.
This was the last Judge Dredd story to exceed 20 episodes until "Origins" in 2006.
Read more about The Doomsday Scenario: Epilogues, Stories, Collected Editions, See Also
Famous quotes containing the words doomsday and/or scenario:
“Even an attorney of moderate talent can postpone doomsday year after year, for the system of appeals that pervades American jurisprudence amounts to a legalistic wheel of fortune, a game of chance, somewhat fixed in the favor of the criminal, that the participants play interminably.”
—Truman Capote (1924–1984)
“This is the essential distinction—even opposition—between the painting and the film: the painting is composed subjectively, the film objectively. However highly we rate the function of the scenario writer—in actual practice it is rated very low—we must recognize that the film is not transposed directly and freely from the mind by means of a docile medium like paint, but must be cut piece-meal out of the lumbering material of the actual visible world.”
—Sir Herbert Read (1893–1968)