Picture
The scene is set in a small and messy garret, sparsely furnished by a few pieces of crude furniture. The room is poorly kept, with cracking plaster, a broken window and uneven floor, and a bare cupboard. In this way, Hogarth underlines the desperate circumstances of the occupants and the poverty of the family.
Starved of inspiration and suffering writer's block, the poet sits on the end of his bed in his night gown, quill in hand, scratching his head. A copy of Edward Bysshe's The Art of English Poetry, a guide to composition published in 1702, lies open on the table. A copy of Popes's satirical Grub Street Journal lies on the floor near his feet.
A few feet to his right sits his wife, darning the clothes on her lap and those sprawled on the floor, while a crying infant, who is upset and hungry, goes unattended in the only bed. Next to the poet's wife, by the open door, an angry milkmaid presents her substantial bill, demanding payment for milk, underlining the poet's refusal to provide for his family by getting himself a proper job. The cupboard stands open and empty, save for a mouse; near the door, a dog steals the last of the family's food from a plate.
Other, less obvious, elements of the painting reveal more about the poet's personality and ideas. The poem he is attempting to write is entitled "Upon Riches", which suggests that the poet lives in a fantasy world, while his wife and child go hungry. Ned Ward's first published poem in 1691 was The Poet's Ramble After Riches, which satirised his own struggles as an impoverished aspiring poet, and Hogarth may have had this in mind when he produced the picture. Earlier impressions showed the poem as "Poverty, A Poem", which hinted at a connection to Theobald who had written "The Cave of Poverty, A Poem, Written in Imitation of Shakespeare" in 1714. The poet's dreams of riches are further suggested by the map that hangs over his head, entitled "A View of the Gold Mines of Peru", replacing the image of Pope that appears in the earlier states of the print. The poet's self-interest is hinted by the presence of his pipe and tobacco on the window sill, the mug of beer sitting on the chair in the back of the room, the lace cuffs drying by the fire, his ill-fitting wig, and gentleman's sword lying at his feet; it may be that despite his family's circumstances, he refuses to forgo his own personal pleasures and effects. Alternatively, his fantasy of earning a fortune from his art may require that he keeps his gentlemanly accoutrements around him, as they will be required when his fantasies are realised.
Read more about this topic: The Distrest Poet
Famous quotes containing the word picture:
“It is not the literal past that rules us, save, possibly, in a biological sense. It is images of the past.... Each new historical era mirrors itself in the picture and active mythology of its past or of a past borrowed from other cultures. It tests its sense of identity, of regress or new achievement against that past.”
—George Steiner (b. 1929)
“The difference between human vision and the image perceived by the faceted eye of an insect may be compared with the difference between a half-tone block made with the very finest screen and the corresponding picture as represented by the very coarse screening used in common newspaper pictorial reproduction. The same comparison holds good between the way Gogol saw things and the way average readers and average writers see things.”
—Vladimir Nabokov (1899–1977)
“At night thousands of names and slogans are outlined in neon, and searchlight beams often pierce the sky, perhaps announcing a motion picture premiere, perhaps the opening of a new hamburger stand.”
—For the State of California, U.S. public relief program (1935-1943)