Reception
According to Christopher Hitchens author of God Is Not Great:
| “ | Tina Brown has produced something that is, as well as absorbing and stirring, witty and penetrating. | ” |
According to Simon Schama author of A History of Britain:
| “ | Nothing comes close to Tina Brown's book for its tight grip on the dark human comedy that was Diana's life and death. The result is a compulsively page-turning trip to the poisoned place where class met glamour and result was catastrophe. | ” |
According to Tom Wolfe:
| “ | It's Dianamite! | ” |
According to Helen Mirren, Academy Award winning actress:
| “ | Intensely well researched and an un-put-downable read, Tina Brown's extraordinary book parts the brocaded velvet, lifts the expensive net curtains, and allows us an unprecedented look at the world and mind of the most famous person on the planet. | ” |
According to The Daily Telegraph:
| “ | Whichever, the very pink, pictureless cover tells you that this is not a book that men will feel comfortable carrying around. It's aimed at women, American women judging by the way everything British has to be explained. Princess Margaret, for example, was 'the Queen's younger saucier sister'. Oh that Princess Margaret. | ” |
According to The Sunday Times:
| “ | Tina Brown’s The Diana Chronicles is not a book on Diana. It is the book. Not only does it put the story of Diana in its proper historical context of British politics, journalism and the changing mores of the past quarter century, but it is also a perfect example of the nosy-parker’s art. It conveys, better than anything I have ever read, the basic intelligence of its subject. | ” |
According to The Washington Post:
| “ | Diana's tragicomedy is Shakespearean in scale, with its slippery royal machinations, its agonized ironies, its seething jealousies and heartbreaking inevitability. Brown is no Shakespeare. But she gives us a walloping good read. | ” |
According to The New Republic:
| “ | So it is all the more delicious to report that The Diana Chronicles is that contradiction in terms: a summer spellbinder for serious people. Its pleasures are owed to more than its sensational subject. | ” |
John Lanchester wrote in The New Yorker:
| “ | But the best book on Diana is the newest, "The Diana Chronicles"....She tells the story fluently, with engrossing detail on every page, and the mastery of tone which made her Tatler famous for being popular with the people it was laughing at. | ” |
Selina Hastings in The Times Literary Supplement:
| “ | Like scraping barnacles off an old hulk, Tina Brown has taken the story of Princess Diana, hosed off layers of hearsay and myth, sifted through tons of accumulated legend, and presented us with a fresh and vividly perceptive portrait. | ” |
According to Royals historian Robert Lacey:
| “ | (Brown is) a brilliant writer, a very sharp social observer, and she always contributes fresh insight. She's persuaded people who have never spoken before to speak. (Her book) is an incredibly useful addition to the historical record. | ” |
According to Christopher Howse in The Daily Telegraph:
| “ | A recurrent word in the book is "complicity". This is not theatre but a video of complicity, as we linger over those moments of intimacy, fast-forwarding, pausing. If the camera rests on the outside of the bathroom door, we are made aware of the noises within. In the end, we hardly know what seems to soil our minds. On the last page should be printed, "Now, wash your hands.' | ” |
Read more about this topic: The Diana Chronicles
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)