The Deaf Club - Walking Dead Records Compilation Albums

Walking Dead Records Compilation Albums

The four partners in Walking Dead Records developed a live compilation project that resulted in an album released by Optional Record distribution of Berkeley, CA on the Walking Dead label: "Can You Hear Me? Music From the Deaf Club." It was recorded on a mobile 8 track by Jim Keylor (also of Army Street Studios), DJ'ed by Johnnie Walker, produced by Robert Hanrahan who also managed and booked the Club, and coordinated by Peter Worrall. The photos selected for the album were taken by Sue Brisk, the album art was by Diana Miami (aka Diana Stumbo) and the liner notes were written by V. Vale of RE/Search/Search & Destroy. It was recorded live at the club during early 1979 and is a testament to the authentic underground punk and "new wave" scene during that period in San Francisco's music history. The album featured The Mutants' "Tribute to Russ Meyer" and "Monster of Love" and performances from other first and second generation San Francisco Punk bands like:

  • Offs – "Hundred Dollar Limo", "Die Babylon", "I've Got the Handle" (Offs were: Don Vinyl, Billy Hawk, Bob Roberts now of Spotlight Tattoo in Los Angeles, Bob Steeler and Denny Boredom who also played with Hot Tuna)
  • Pink Section – "Jane Blank", Francine's List" & "Been In The Basement 30 Years"
  • Tuxedo Moon – "19th Nervous Breakdown", courtesy of The Rolling Stones and "Heaven" from the film Eraserhead
  • KGB – "Dying in the USA" & "Picture Frame Seduction"
  • Dead Kennedys with "Police Truck", "Short Songs" & "Straight A's". Raymond Pepperell, Jr., better known as East Bay Ray of the Dead Kennedy's used the original two track safety masters from that live eight track recording to release their recent 2004 "live at the Deaf Club" CD.

From the Deaf Club, Walking Dead also produced, with William Passerelli, Dirk Dirksen (Mabuhay Gardens), Paul Rat Bachavich (Temple Beautiful) & Goody Thompson: the Western Front Festival. The festival engaged the Deaf Club and every venue, (including the "art clubs": A.R.E., Taget Video, Valencia Tool & Die, Club Foot, the A-hole and Club Generic) in the San Francisco Bay Area that embraced punk culture and music for a week long event.

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