The Days (film) - Production

Production

Upon graduation from the Beijing Film Academy in 1989, Wang was initially assigned to the state-run Fujian Film Studio. Rather than beginning his tenure there, Wang decided to stay in Beijing in an effort to create an independent film. This process lasted nearly a year and ultimately collapsed when Wang failed to obtain proper financing. As a result, he began working at Fujian, writing screenplays that would never be made. His tenure at the Fujian Film Studio would be equally brief, however, and by 1992, Wang had returned to Beijing determined to make it on his own.

In the beginning, Wang, along with actor Liu Xiaodong and classmate Zhang Yuan attempted an extremely small-scale production that would eventually collapse. The effort, though a failure, galvanized Wang to begin again with The Days. Due to an extremely low budget, the production would prove to be arduous. The actors and crew, mostly Wang's friends, donated both time and money to the film. Equipment was rented and usually obsolete. Even obtaining film was a trial, as Wang and cinemtographer Liu Jie were forced to travel to the manufacturer in Baoding to personally request film stock.

Logistically, the film was also a difficult process as all the actors and crew had normal jobs. As a result, filming could only take place two days a week, on the weekends. Equipment would be rented on Friday and returned on Monday, the process repeating each week.

Read more about this topic:  The Days (film)

Famous quotes containing the word production:

    By bourgeoisie is meant the class of modern capitalists, owners of the means of social production and employers of wage labor. By proletariat, the class of modern wage laborers who, having no means of production of their own, are reduced to selling their labor power in order to live.
    Friedrich Engels (1820–1895)

    The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.
    François, Duc De La Rochefoucauld (1613–1680)

    Every production of an artist should be the expression of an adventure of his soul.
    W. Somerset Maugham (1874–1965)