The Cooler - Critical Reception

Critical Reception

The film received generally positive reviews and with considerable praise to Baldwin's performance. Writing for The New York Times, A.O. Scott said, "The setting ... is a little tired, and the premise is pretty hokey. Mr. Kramer, rather than trying to discover anything new, is content to recycle familiar characters and story lines. The script ... and the direction are skillful, if occasionally gimmicky ... Luckily this picture is rescued from cliché by the quality of the acting, and Mr. Kramer wisely gives the actors room to work."

Review aggregate website Rotten Tomatoes gave the film a 77% "Fresh" rating with the consensus: "A small movie with superb performances."

Roger Ebert of the Chicago Sun-Times said the film "has a strange way of being broad and twisted at the same time, so that while we surf the surface of the story, unexpected developments are stirring beneath ... This is a movie without gimmicks, hooks or flashy slickness ... The acting is on the money, the writing has substance, the direction knows when to evoke film noir and when ... to get fancy."

In Rolling Stone, Peter Travers rated the film 3½ out of a possible four stars and added, "Wayne Kramer, who co-wrote the scrappy script with Frank Hannah, makes a potent directing debut and strikes gold with the cast... Top of the line is Baldwin, whose revelatory portrayal of an old Vegas hard-liner in thrall to the town's faded allure is the stuff Oscars are made of. From James Whitaker's seductive camerawork to Mark Isham's lush score, The Cooler places all the smart bets and hits the jackpot."

Mark Holcomb of The Village Voice said, "Taking a page from the Sin City cinema revisionist's handbook, The Cooler mimics the Vegas insider's perspective of Casino (without Scorsese's fetishistic attention to detail), the seedy/saccharine insouciance of FX's Lucky (devoid of quirky chutzpah), and the couch-potato glitz of NBC's Las Vegas ... What's left never gels as fantasy, drama, or romantic comedy... film never amounts to more than a cute idea stretched to poker-chip thinness."

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