The Colbert Report - Production

Production

In 2005, The Daily Show won Primetime Emmy Awards, and Comedy Central wanted to expand the franchise. Producers were also looking for a way to hold on to Colbert, Daily Show correspondent and co-writer for six seasons, after the show's other breakout star, Steve Carell, left the program to pursue a career in film and network television. Jon Stewart and Ben Karlin (The Daily Show's executive producer) supposedly came up with the idea for The Colbert Report after watching coverage of the sexual harassment lawsuit filed against Bill O'Reilly. Jon Stewart's production company, Busboy Productions, developed The Report. Colbert, Stewart, and Karlin pitched the idea of the show (reportedly with one phrase: "our version of The O'Reilly Factor with Stephen Colbert") to Comedy Central chief Doug Herzog, who agreed to run the show for eight weeks without creating a pilot.

The Colbert Report first appeared in the form of four television commercials for itself which aired several times on The Daily Show, although the themes that form the basis for The Report can be seen in the reports of Colbert's correspondent character on The Daily Show. The show debuted October 17, 2005, with an initial contract for an eight-week run. On November 2, 2005, based on the strong ratings for the show's first two weeks, Comedy Central and Colbert announced they had signed for an additional year, through the end of 2006. In 2007, co-head writer Allison Silverman became an executive producer of the show.

Read more about this topic:  The Colbert Report

Famous quotes containing the word production:

    By bourgeoisie is meant the class of modern capitalists, owners of the means of social production and employers of wage labor. By proletariat, the class of modern wage laborers who, having no means of production of their own, are reduced to selling their labor power in order to live.
    Friedrich Engels (1820–1895)

    Every production of an artist should be the expression of an adventure of his soul.
    W. Somerset Maugham (1874–1965)

    The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.
    Ernest Gellner (b. 1925)