The Coast of Utopia is a 2002 trilogy of plays: Voyage, Shipwreck, and Salvage, written by Tom Stoppard with focus on the philosophical debates in pre-revolution Russia between 1833 and 1866. It was the recipient of the 2007 Tony Award for Best Play. The title comes from a chapter in Avrahm Yarmolinsky's book Road to Revolution: A Century of Russian Radicalism (1959).
The trilogy, nine hours in total, premiered with Voyage on 22 June 2002 at the National Theatre's Olivier auditorium in repertory, directed by Trevor Nunn. The openings of Shipwreck and Salvage followed on 8 July, and 19 July, completing its run on 23 November 2002. In 2006, directed by Jack O'Brien, the plays debuted on Broadway at the Vivian Beaumont Theater at Lincoln Center, New York City, where it closed on May 13, 2007 after a combined total of 124 performances.
The trilogy has also been performed in Russia; it opened at Moscow's Russian Academic Youth Theatre in October 2007, directed by Alexey Borodin.
The trilogy received its Japanese premiere at Theater Cocoon, Bunkamura in Tokyo on 12 September 2009 and completed its run (including 10 one-day marathon performances) on 4 October 2009. The production was directed by Yukio Ninagawa.
Read more about The Coast Of Utopia: Characters and Cast, Awards and Nominations
Famous quotes containing the words coast and/or utopia:
“The Boston papers had never told me that there were seals in the harbor. I had always associated these with the Esquimaux and other outlandish people. Yet from the parlor windows all along the coast you may see families of them sporting on the flats. They were as strange to me as the merman would be. Ladies who never walk in the woods, sail over the sea. To go to sea! Why, it is to have the experience of Noah,—to realize the deluge. Every vessel is an ark.”
—Henry David Thoreau (1817–1862)
“If work and leisure are soon to be subordinated to this one utopian principle—absolute busyness—then utopia and melancholy will come to coincide: an age without conflict will dawn, perpetually busy—and without consciousness.”
—Günther Grass (b. 1927)