The Chumscrubber - Reception

Reception

The Chumscrubber received mostly negative reviews from critics. Review aggregator website Rotten Tomatoes reported that 34% of 58 collected reviews for the film were positive, with an average score of 4.9/10 and the consensus that "This derivative poke at suburbia falls short of delivering a scathing indictment of upper middle-class disconnect." At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the film received an average score of 41 based on 12 reviews, indicating "mixed or average reviews".

Peter Travers of Rolling Stone gave the film 1 star out of 5, describing it film as "an appallingly clumsy and stupid take on drugs, kidnapping and suicide in suburbia". A. O. Scott expressed similar sentiments in The New York Times, calling the film "dreadful" and criticizing its unoriginality. Variety's Scott Foundas also wrote that the film "doesn't have an original bone in its body or a compelling thought in its head" and called it "insufferable", "self-conscious" and "smug". Olly Richards of Empire gave the film 2 stars out of 5 and described it as "a tragic waste of acting talent, with nothing new to say." The A.V. Club's Keith Phipps praised Posin's technical direction and the cast's acting skills, but found that the film still fell "flat on its face".

The film was more warmly received by David Sterritt of The Christian Science Monitor, who described it as "dreamily surreal, acutely intelligent, and strikingly tough-minded" and called it a "stunning directorial debut".

Read more about this topic:  The Chumscrubber

Famous quotes containing the word reception:

    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
    Jonathan Swift (1667–1745)

    But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.
    Walter Pater (1839–1894)

    He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!
    Billy Wilder (b. 1906)