Manuscripts and Early Drafts of Published Novels and Other Works
- Paul Morel (1911–12), edited by Helen Baron, Cambridge University Press, 2003, ISBN 0-521-56009-8
- The First Women in Love (1916–17) edited by John Worthen and Lindeth Vasey,Cambridge University Press, 1998, ISBN 0-521-37326-3
- Mr Noon (1920?) - Parts I and II, edited by Lindeth Vasey, Cambridge University Press, 1984, ISBN 0-521-25251-2
- The First and Second Lady Chatterley novels, edited by Dieter Mehl and Christa Jansohn, Cambridge University Press, 1999, ISBN 0-521-47116-8.
Read more about this topic: The Cambridge Edition Of The Letters And Works Of D. H. Lawrence
Famous quotes containing the words manuscripts, early, drafts, published, novels and/or works:
“Anyone who has invented a better mousetrap, or the contemporary equivalent, can expect to be harassed by strangers demanding that you read their unpublished manuscripts or undergo the humiliation of public speaking, usually on remote Midwestern campuses.”
—Barbara Ehrenreich (b. 1941)
“In the early days of the world, the Almighty said to the first of our race “In the sweat of thy face shalt thou eat bread”; and since then, if we except the light and the air of heaven, no good thing has been, or can be enjoyed by us, without having first cost labour.”
—Abraham Lincoln (1809–1865)
“It is surprising with what impunity and comfort one who has always lain in a warm bed in a close apartment, and studiously avoided drafts of air, can lie down on the ground without a shelter, roll himself in a blanket, and sleep before a fire, in a frosty autumn night, just after a long rain-storm, and even come soon to enjoy and value the fresh air.”
—Henry David Thoreau (1817–1862)
“Man cannot bury his meanings so deep in his book, but time and like-minded men will find them. Plato had a secret doctrine, had he? What secret can he conceal from the eyes of Bacon? of Montaigne? of Kant? Therefore, Aristotle said of his works, “They are published and not published.””
—Ralph Waldo Emerson (1803–1882)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
—George Bernard Shaw (1856–1950)