Performance History
The opera was first produced in London at the Drury Lane Theatre on 27 November 1843. The production ran for more than 100 nights and enjoyed many revivals worldwide including: New York (25 November 1844), Dublin (1844), Philadelphia (1844) and Madrid (1845).
Several versions in different languages were also staged during Balfe’s lifetime. The German version, Die Zigeunerin, premiered in Vienna in 1846, the Italian adaptation and translation, titled La zingara, was originally staged in Trieste in 1854, and finally a four-act French version, La Bohemienne, was mounted in Rouen in 1862, conducted by composer Jules Massenet, then aged only 20, and with the celebrated mezzo-soprano Celestine Galli-Marie in the role of the Gypsy Queen. If Die Zigeunerin enjoyed fairly widespread circulation in the countries of German language or culture, La zingara was often revived also in English-speaking towns, such as London, Dublin, New York, Boston and San Francisco. The very successful 1858 run of La zingara at Her Majesty's Theatre in London, for which Balfe was rewarded with an extra cheque for fifty pounds, starred Marietta Piccolomini, Marietta Alboni and Antonio Giuglini.
The opera "remained in the repertories of British touring companies until the 1930s and was revived in 1932 at Sadler's Wells". Since World War II, it has been staged by the Belfast Operatic Society at the 1978 Waterford International Festival of Light Opera, in Ireland, by Castleward Opera, Strangford, in Northern Ireland in 2006 and by Opera South, Haslemere, in England in 2008.
Read more about this topic: The Bohemian Girl
Famous quotes containing the words performance and/or history:
“Nobody can misunderstand a boy like his own mother.... Mothers at present can bring children into the world, but this performance is apt to mark the end of their capacities. They can’t even attend to the elementary animal requirements of their offspring. It is quite surprising how many children survive in spite of their mothers.”
—Norman Douglas (1868–1952)
“It’s a very delicate surgical operation—to cut out the heart without killing the patient. The history of our country, however, is a very tough old patient, and we’ll do the best we can.”
—Dudley Nichols, U.S. screenwriter. Jean Renoir. Sorel (Philip Merivale)