Reception and Impact
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| Robert Christgau | A− |
| Entertainment Weekly | B− |
| NME | (8/10) |
| Pitchfork Media | (8.7/10) |
| PopMatters | (favorable) |
| Rolling Stone | |
| USA Today | |
| Vibe | |
| The Washington Post | (favorable) |
The Blueprint contained a unique and balanced blend of soulful samples that had both street credibility and mainstream appeal, thereby garnering praise from all quarters of the hip hop community and receiving special recognition from critics. Most consider The Blueprint to be one of Jay-Z's best albums, holding it on a level close to that of his debut, Reasonable Doubt. Upon its release, The Blueprint was rated as Vibe Magazine's "Best Album of the year", and even received a 5 mic (out of 5) rating from The Source (a distinction reserved for hip hop classics). Pitchfork Media named it the 2nd best album of 2000-2004. The popularity and commercial success of the album established Kanye West and Just Blaze as two of hip-hop’s most celebrated producers. Furthermore, The Blueprint signaled a major stylistic shift in hip hop production towards a more Soulcentric and sample-reliant sound, creating a number of imitators who attempted to emulate the album's atmospheric style. Prior to The Blueprint, mainstream hip-hop producers had largely eschewed music sampling in favor of the keyboard-driven Timbaland sound (characterized by a shifting, syncopated rhythm, similar to samba or jungle music), due to the financial and legal issues associated with copyright laws. The Blueprint, however, revived musical sampling as a common practice in hip hop music and dislodged the digital keyboard-driven production style as the dominant sound in hip-hop music. Kanye West would later incorporate some of the production and sampling techniques he used on this album into his own solo albums. Entertainment Weekly put it on its end-of-the-decade, "best-of" list, saying, "One of the greatest poets ever to pick up a mic released his magnum opus in 2001. One retirement and one un-retirement later, it's still his finest hour."
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