The Black Mass was a horror-fantasy radio drama produced by Erik Bauersfeld, a leading American radio dramatist of the post-television era. The series aired on KPFA (Berkeley) and KPFK (Los Angeles) from 1963 to 1967, on an irregular schedule. Bauersfeld was the Director of Drama and Literature at KPFA from 1966 to 1991.
Bauersfeld's sound designer for most of the episodes was John Whiting, KPFA's production director. Their collaborations were later credited in a Ph.D. dissertation with "keeping radio drama alive in America in the 1960s."
Music for the series was by several Bay Area composers, including KPFA's Music Director Charles Shere, a composer and music critic who later wrote books on American composers and also serves on the board of the Berkeley restaurant Chez Panisse.
Bauersfeld's Black Mass productions were an influence on writer-producer Thomas Lopez (ZBS), who noted, "In the 1960s, I was inspired by someone at KPFA in Berkeley, Eric Bauersfeld. who did a series called The Black Mass, adaptations of H. P. Lovecraft and such. He helped me a lot. I consider Eric my mentor. He also did some fine Eugene O'Neill plays for radio."
Read more about The Black Mass: Episodes, Releases of Black Mass Episodes, Listen To
Famous quotes containing the words black and/or mass:
“Just like those other black holes from outer space, Hollywood is postmodern to this extent: it has no center, only a spreading dead zone of exhaustion, inertia, and brilliant decay.”
—Arthur Kroker (b. 1945)
“Like Freud, Jung believes that the human mind contains archaic remnants, residues of the long history and evolution of mankind. In the unconscious, primordial “universally human images” lie dormant. Those primordial images are the most ancient, universal and “deep” thoughts of mankind. Since they embody feelings as much as thought, they are properly “thought feelings.” Where Freud postulates a mass psyche, Jung postulates a collective psyche.”
—Patrick Mullahy (b. 1912)