Production
Although Star Wars had popularized the use of computerized motion control miniature effects, The Black Hole was shot using a blend of traditional camera techniques and newly developed computer-controlled camera technology. Disney had wanted to rent equipment from Industrial Light and Magic, but, when the price was too high and the timing of getting the equipment didn't match Disney's production schedule, they had their engineering department build their own equipment, resulting in the development of Disney's A.C.E.S. (Automated Camera Effects System), as well as the Mattescan system, which for the first time allowed the camera to move over a matte painting, and a computer-controlled modeling stand. At the time of its release, the movie's opening credits sequence featured the longest computer graphics shot that had ever appeared in a film. The film also had the world's first digitally recorded soundtrack.
The Black Hole was also notable for being the first Disney film not to have an all-ages rating, due to mild language (being the first Disney film to include profanity of any type) and scenes of human death never seen in a Disney production before (e.g., a character is eviscerated, albeit bloodlessly). This was The Walt Disney Company's first PG-rated production, and its second overall release with that rating (the first was the sports drama Take Down, an outside production Disney distributed in early 1979). The version of the film televised on The Disney Channel has been edited for language, with all uses of the words "damn" and "hell" removed. Along with frequent subtexts, there were also metaphysical and religious themes expressed through the film. This film led the company towards experimenting with more adult-oriented and mainstream films, which would eventually lead to the creation of its Touchstone Pictures and Hollywood Pictures arms to handle films considered too mature in nature to carry the Walt Disney Pictures label.
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Famous quotes containing the word production:
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
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—Debbie Taylor (20th century)