Production
The half-hour weekly program featured famous or before-they-were-famous actors and actresses in quality productions, filmed on the Astoria stages, which is now Kaufman Astoria Studios which is a historic movie studio located in the Astoria section of the New York City borough of Queens. The host and narrator was Army Master Sergeant Stuart Queen (1919–1981)—a World War II veteran and Korean War combat broadcaster. Though Master Sgt. Queen is referred to as both a host and narrator, he essentially introduced the profiles that were narrated by such luminaries as Alexander Scourby, Walter Cronkite, Raymond Massey, and Ronald Reagan. In the 1950s, the series was shot on 35mm black-and-white negative, but by the end of the 1960s, it was using 16mm color negative.
From the official government catalog: "THE BIG PICTURE is the official television report by the U.S. Army to its members and to the American people. Subject matter for episodes ranges from historic moments in the Army's proud history to up-to-the-moment coverage of current actions and accomplishments."
Read more about this topic: The Big Picture (TV Series)
Famous quotes containing the word production:
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)