Production
The half-hour weekly program featured famous or before-they-were-famous actors and actresses in quality productions, filmed on the Astoria stages, which is now Kaufman Astoria Studios which is a historic movie studio located in the Astoria section of the New York City borough of Queens. The host and narrator was Army Master Sergeant Stuart Queen (1919–1981)—a World War II veteran and Korean War combat broadcaster. Though Master Sgt. Queen is referred to as both a host and narrator, he essentially introduced the profiles that were narrated by such luminaries as Alexander Scourby, Walter Cronkite, Raymond Massey, and Ronald Reagan. In the 1950s, the series was shot on 35mm black-and-white negative, but by the end of the 1960s, it was using 16mm color negative.
From the official government catalog: "THE BIG PICTURE is the official television report by the U.S. Army to its members and to the American people. Subject matter for episodes ranges from historic moments in the Army's proud history to up-to-the-moment coverage of current actions and accomplishments."
Read more about this topic: The Big Picture (TV Series)
Famous quotes containing the word production:
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)