The Best of The Velvet Underground: Words and Music of Lou Reed

The Best of The Velvet Underground: Words and Music of Lou Reed is a compilation album by The Velvet Underground. It was released in October 1989 by Verve Records.

The Best of The Velvet Underground concludes the mid-1980s re-issue series by Verve Records of their Velvet Underground material (the first three albums plus VU and Another View).

The record tried to capitalise on the new public awareness of Lou Reed, who had issued his critically acclaimed comeback album New York the previous year. Accordingly, the record contains only songs written by Reed alone.

Read more about The Best Of The Velvet Underground: Words And Music Of Lou Reed:  Track Listing, Personnel

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    At twenty-two, he’d been a cowboy, a rustler, one of the best in the Sprawl.... He’d operated on an almost permanent adrenaline high, a byproduct of youth and proficiency, jacked into a custom cyberspace deck that projected his disembodied consciousness into the consensual hallucination that was the Matrix.
    William Gibson b. (1948)

    I don’t like nostalgia unless it’s mine.
    Lou Reed (b. 1944)

    When you’re at the end of your rope, all you have to do is make one foot move out in front of the other. Just take the next step. That’s all there is to it.
    Samuel Fuller, U.S. screenwriter, and Milton Sperling. Samuel Fuller. Merrill (Jeff Chandler)

    Should I get married? Should I be good?
    Astound the girl next door with my velvet suit and faustus hood?
    Gregory Corso (b. 1930)

    When Western people train the mind, the focus is generally on the left hemisphere of the cortex, which is the portion of the brain that is concerned with words and numbers. We enhance the logical, bounded, linear functions of the mind. In the East, exercises of this sort are for the purpose of getting in tune with the unconscious—to get rid of boundaries, not to create them.
    Edward T. Hall (b. 1914)

    The great challenge which faces us is to assure that, in our society of big-ness, we do not strangle the voice of creativity, that the rules of the game do not come to overshadow its purpose, that the grand orchestration of society leaves ample room for the man who marches to the music of another drummer.
    Hubert H. Humphrey (1911–1978)

    Am I making myself clear, boys?
    Harvey Thew, U.S. screenwriter, John Bright, screenwriter, and Lowell Sherman. Lady Lou (Mae West)

    Today we have naming of parts. Yesterday,
    We had daily cleaning. And tomorrow morning,
    We shall have what to do after firing. But today,
    Today we have naming of parts.
    —Henry Reed (1914–1986)