Water Drops On The Damned
The drops of water running down the bodies of the damned are painted in a manner seldom seen up to and including the early nineteenth century. Four different, unmixed pigments, in discretely applied quantities comprise the image of one drop and its shadow. White is used for highlighting, strokes of yellow and green respectively denote the length of the drop, and the shadow is red.
Delacroix’s pupil and chief assistant of over a decade, Pierre Andrieu, recorded that Delacroix had told him the inspiration for these drops had come in part from the water drops visible on the nereids in Rubens’ The Landing of Marie de’ Medici at Marseilles, and that the drops on The Barque of Dante were Delacroix’s point of departure as a colourist. Lee Johnson discussing these drops comments that “the analytical principle applies of dividing into pure coloured components an object that to the average eye would appear monochrome or colourless, is of far-reaching significance for the future.”
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