The Art of Fugue - Notable Recordings

Notable Recordings

See http://www.jsbach.org/1080.html and http://www.bach-cantatas.com/NVD/BWV1080.htm#Rec for more complete lists.

Harpsichord:

  • Gustav Leonhardt (1953, 1969)
  • Davitt Moroney (1985)
  • Ton Koopman with Tini Mathot (1994), on two harpsichords
  • Menno Van Delft (1999)
  • Sébastien Guillot (2006)
  • Bradley Brookshire (2007) includes an additional CD-ROM with score to follow along as MP3s play
  • Gavin Black & George Hazelrigg (2009) on two harpsichords: voices shared equally throughout. http://www.theartofthefugue.com
  • Lorenzo Ghielmi on a Silbermann piano and harpsichord with Vittorio Ghielmi and "Il Suonar Parlante" viols quartet (2009)

Organ:

  • Helmut Walcha (1956, 1970)
  • Glenn Gould (1962) incomplete
  • Ensemble Wolfgang von Karajan (1963), on three chamber organs
  • Lionel Rogg (1970)
  • André Isoir (1999) Some movements performed as a duet with Pierre Farago, on the Grenzing organ of Saint-Cyprien in Périgord, France
  • Wolfgang Rübsam (1992)
  • Marie-Claire Alain (1993)
  • Louis Thiry (1993) on the Silbermann organ of St. Thomas, Strasbourg.
  • Hans Fagius (2000) on the Carsten Lund organ of Garnisons Church Copenhagen, Denmark.
  • Kevin Bowyer (2001) on the Marcussen organ of Saint Hans Church, Odense, Denmark
  • George Ritchie (organist) (2010) on the Richards, Fowkes & Co organ of Pinnacle Presbyterian Church in Scottsdale, Arizona. This recording includes as a bonus track an alternative take of the final unfinished fugue with the completion by Helmut Walcha.
  • Bengt Tribukait on the Cahman Organ at Lefusta Bruk, north of Uppsala in Sweden

Piano:

  • Richard Buhlig and Wesley Kuhnle (1934)
  • Glenn Gould incomplete
  • Charles Rosen (1967)
  • Grigory Sokolov (1982)
  • Zoltán Kocsis (1984)
  • Yuji Takahashi (1988)
  • Evgeni Koroliov (1991)
  • Tatiana Nikolayeva (1992)
  • Andrei Vieru (1994)
  • Walter Riemer (2006), using a fortepiano of Mozart type
  • Pierre-Laurent Aimard (2008)

String quartet:

  • Roth Quartet (1934-5) includes conjectural end played by Donald Tovey on keyboard.
  • Quartetto Italiano (1985)
  • Juilliard String Quartet (1989)
  • Keller Quartet (1997)
  • Delmé Quartet (2000), arranged by composer Robert Simpson, including versions of Contrapuntus XIV unfinished and completed following Tovey's version.
  • Emerson String Quartet (2003)
  • Vittorio Ghielmi and "Il Suonar Parlante" viols quartet (2009) with Lorenzo Ghielmi on a Silbermann piano and harpsichord

Orchestra :

  • Hermann Scherchen with Orchestre de la RTSI (1965)
  • Karl Ristenpart with Chamber Orchestra of the Saar (1965)
  • Neville Marriner with Academy of St. Martin in the Fields (1974)
  • Jordi Savall with Hesperion XX (1986)
  • Erich Bergel with Cluj Philharmonic Orchestra (1991)
  • Karl Münchinger and Stuttgart Chamber Orchestra (1965)
  • Stuttgart Chamber Orchestra (2002)
  • Rinaldo Alessandrini and Concerto Italiano (1998)

Other:

  • Milan Munclinger with Ars Rediviva (1959, 1966, 1979)
  • Fine Arts String Quartet and New York Woodwind Quintet (1962)
  • Yuji Takahashi (incomplete) electronic version (1975)
  • Musica Antiqua Köln (director Reinhard Goebel) for string quartet/harpsichord and various such instrumental combinations (1984)
  • Berliner Saxophon Quartett for saxophone (1990)
  • József Eötvös for two eight-string guitars (2002)
  • Zagreb Guitar Quartet for guitar quartet (2005)
  • Amsterdam Loeki Stardust Quartet for recorder quartet (1998)
  • Phantasm (director: Laurence Dreyfus) for viola da gamba four-part consort (1998)
  • Calefax Reed Quintet for reed instruments (2000)
  • Fretwork for Consort of Viols (2002)
  • Aurelia Saxophone Quartet for saxophone quartet (2005)
  • The Canadian Brass for brass quintet
  • The electronic art of fugue by Klangspiegel (2005)
  • The Version of Jacques Chailley instrumentation of Pascal Vigneron for wind quartet, brass quartet and organ (2005)
  • An electronic version, Laibachkunstderfuge, by Neue Slowenische Kunst industrial band Laibach (2008).

Read more about this topic:  The Art Of Fugue

Famous quotes containing the words notable and/or recordings:

    Every notable advance in technique or organization has to be paid for, and in most cases the debit is more or less equivalent to the credit. Except of course when it’s more than equivalent, as it has been with universal education, for example, or wireless, or these damned aeroplanes. In which case, of course, your progress is a step backwards and downwards.
    Aldous Huxley (1894–1963)

    All radio is dead. Which means that these tape recordings I’m making are for the sake of future history. If any.
    Barré Lyndon (1896–1972)