Hobsbawm On The Arts
Hobsbawm writes on Post-war modernist art practice:
- "...consisted largely in a series of increasingly desperate gimmicks by which artists sought to give their work an immediately recognizable individual trademark, a succession of manifestos of despair... or of gestures reducing the sort of art which was primarily bought for investment and its collectors ad absurdum, as by adding an individual's name to piles of brick or soil ('minimal art') or by preventing it from becoming such a commodity through making it too short-lived to be permanent ('performance art').
- "The smell of impending death rose from these avant-gardes. The future was no longer theirs, though nobody knew whose it was. More than ever, they knew themselves to be on the margin."
Read more about this topic: The Age Of Extremes
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