The 1 Second Film - Project History

Project History

The 1 Second Film began as a student project by Nirvan Mullick in 2001 while at California Institute of the Arts. The director set out to create a collaborative art project that would bring his school together, and later expanded the project after the success of the initial event. Seed funds for the animation painting event came from a $1,500 CalArts Grant, an additional $3,000 was raised by selling producer credits for donations of $1 or more. In 2004, after graduating and finishing two other animated short films, the director began fundraising to expand The 1 Second Film project by selling $1 producer credits on the streets of Los Angeles. After raising enough to buy a video camera, the director began to document the fundraising process to include as part of a documentary about the project. In 2005, after getting several celebrities to donate, the director launched a petition drive along with the help of Stephen Colbert to get the credits of The 1 Second Film listed on the Internet Movie Database. In March 2005, IMDb began listing the credits.

The IMDb listing helped the project to grow online. In May 2006, a video of several high-profile celebrities donating to The 1 Second Film was featured on the homepage of YouTube, helping the project raise over $7,000 in four days. In 2007, the project's first automated website was built to give community profiles to all participants, allowing the project to scale up.

Read more about this topic:  The 1 Second Film

Famous quotes containing the words project and/or history:

    In 1862 the congregation of the church forwarded the church bell to General Beauregard to be melted into cannon, “hoping that its gentle tones, that have so often called us to the House of God, may be transmuted into war’s resounding rhyme to repel the ruthless invader from the beautiful land God, in his goodness, has given us.”
    —Federal Writers’ Project Of The Wor, U.S. public relief program (1935-1943)

    The disadvantage of men not knowing the past is that they do not know the present. History is a hill or high point of vantage, from which alone men see the town in which they live or the age in which they are living.
    Gilbert Keith Chesterton (1874–1936)