Television Without Pity

Television Without Pity (often abbreviated TWoP) is a website that provides detailed recaps of select television dramas, situation comedies and reality TV shows, originally by mocking them. In 2007 the site was purchased by the Bravo unit of NBC Universal. The site began by recapping the television show Dawson's Creek and was originally called Dawson's Wrap; later it broadened its scope and changed names to Mighty Big TV before settling on the current moniker. The site is notable for its wide usage of the word "snark" to describe its typical style of sarcastic review. Their official motto is "Spare the snark, spoil the networks," a takeoff on "spare the rod, spoil the child."

The site's mascot is Tubeelzebub (a portmanteau of tube and Beelzebub – "Tubey" for short), a devilish television set with horns and a pointed tail.

The recaps and forums have their own jargon, detailed in the site's help section. Recappers also commonly coin nicknames for show characters, based on inside jokes or an actor's previous work. Some of these terms arise from episode-specific forum discussions among non-staff television viewers and make their way into common usage (and sometimes into the recaps as well).

Read more about Television Without Pity:  Show Recaps and Forums, Famous Visitors, 2008 Staff Changes and Redesign, Recappers, Criticism

Famous quotes containing the words television and/or pity:

    Never before has a generation of parents faced such awesome competition with the mass media for their children’s attention. While parents tout the virtues of premarital virginity, drug-free living, nonviolent resolution of social conflict, or character over physical appearance, their values are daily challenged by television soaps, rock music lyrics, tabloid headlines, and movie scenes extolling the importance of physical appearance and conformity.
    Marianne E. Neifert (20th century)

    It was at that moment, just after Krug had fallen through the bottom of a confused dream and sat up on the straw with a gasp—and just before his reality, his remembered hideous misfortune could pounce upon him—it was then that I felt a pang of pity for Adam and slid towards him along an inclined beam of pale light—causing instantaneous madness, but at least saving him from the senseless agony of his logical fate.
    Vladimir Nabokov (1899–1977)