Plot
The film is set in a small Texas town, where an ancient Egyptian cat god, in the form of a cheap statue, commands all the local felines to surrender their nine lives; a mass cat suicide ensues, as cat after cat throw themselves off roofs, bridges and telephone poles. However, the dead felines are revived, becoming beautiful women in the process, given one goal: mate with and exterminate the population of human males in order to make room for "The Great Litter".
Meanwhile, bumbling hitchhiker Ralph arrives in town and soon has a run-in with Warren, the local gadget-crazy "cat exterminator". Warren enlists Ralph's help in capturing kitties and the two quickly start to figure out that something very wrong is happening in their small town. However, when Ralph accidentally runs into Cleo, one of the reanimated cats, he falls for her instantly. What is he to do? Can he stop 'The Great Litter'? Will he and Cleo ever be together? And what of Warren and his combination vacuum/"Cat brain wave scanner"? It all leads up to an extremely furry conclusion.
Read more about this topic: Teenage Catgirls In Heat
Famous quotes containing the word plot:
“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)