Series Two 1978
| # | Title | Writer | Director | Airdate |
|---|---|---|---|---|
| 1 | "Rouges Gallery" | Bob Baker & Dave Martin | Mike Vardy | 15 September 1978 |
| Hackett investigates the curious theft of rare old paintings from wealthy homes and finds a dedicated young woman determined to advance the careers of several young artists. | ||||
| 2 | "The Good and Faithful Women" | Richard Harris | Ben Bolt | 22 September 1978 |
| Hackett investigates the curious theft of rare old paintings from wealthy homes and finds a dedicated young woman determined to advance the careers of several young artists. | ||||
| 3 | "Queens Pardon" | David Wickes | David Wickes | 29 September 1978 |
| Hackett has to deal with a hostage situation when a disturbed father demands a pardon for his son who was executed for murder fifteen years before. | ||||
| 4 | "Fringe Banking" | Ken Follett | Terry Green | 13 October 2011 |
| Hackett stumbles onto a scheme to acquire a struggling construction company that is in line to win a lucrative government contract. | ||||
| 5 | "Promises" | Tony Hoare | Gordon Flemyng | 20 October 2011 |
| A young squad member is murdered when accompanying a key witness to the trial of a prominent gangster. | ||||
| 6 | "The Trouble with Charlie" | Dave Humphries | Peter Smith | 27 October 2011 |
| Hackett meets an old flame at the airport but her current boyfriend gets involved in a cocaine deal that goes wrong. | ||||
| 7 | "Figure of Importance" | Christopher Menaul | Christopher Menaul | 3 November 2011 |
| Hackett's former fiancée is killed by a strong arm man. He and her delinquent son want to find out who killed her and why. | ||||
| 8 | "The Run" | Peter J. Hammond | Terry Green | 10 November 2011 |
| Hackett uses an accountant to get evidence against a porn publisher who is buying drugs with smuggled gold. |
Read more about this topic: Target (UK TV Series)
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“History is nothing but a procession of false Absolutes, a series of temples raised to pretexts, a degradation of the mind before the Improbable.”
—E.M. Cioran (b. 1911)