Tar (lute) - Physical Characteristics

Physical Characteristics

The tar appeared in its present form in the middle of the eighteenth century in Persia. The body is a double-bowl shape carved from mulberry wood, with a thin membrane of stretched lamb-skin covering the top.

The fingerboard has twenty-five to twenty-eight adjustable gut frets, and there are three double courses of strings. Its range is about two and one-half octaves, and it is played with a small brass plectrum.

The long and narrow neck has a flat fingerboard running level to the membrane and ends in an elaborate pegbox with six wooden tuning pegs of different dimensions, adding to the decorative effect. It has three courses of double "singing" strings (each pair tuned in unison: the first two courses in plain steel, the third in wound copper), that are tuned in fourths (C, G, C) plus one "flying" bass string (wound in copper and tuned in G, an octave lower than the singing middle course) that runs outside the fingerboard and passes over an extension of the nut. There are also two pairs of shorter sympathetic strings that run under the bass and over two small copper bridges about midway on the upper side of the fingerboard: their tuning is variable according to the piece to be played and with the performer's tastes: Every String has its own tuning peg and are tuned independently The Persian tar used to have five strings. The sixth string was added to the tar by Darvish Khan. This string is today's fifth string of the Iranian tar.

Read more about this topic:  Tar (lute)

Famous quotes containing the word physical:

    We best avoid wars by taking even physical action to stop small ones.
    Anthony, Sir Eden (1897–1977)