Tania Raymonde - Life and Career

Life and Career

Raymonde was born in Los Angeles, California. In 2002, she starred in the film Children on Their Birthdays and in 2003 she played Lauren O'Keefe in the sitcom The O'Keefes. Over the years she has appeared on several TV shows including Providence, The Brothers Garcia, The Nightmare Room, That's So Raven, The Guardian, Medium, Malcolm in the Middle, and NCIS.

Her biggest role to date is her recurring role on the television drama Lost, where she played Alex Rousseau, the adopted daughter of Benjamin Linus.

She also appeared in the films The Garage (2006), The Other Side of the Tracks (2008), Japan (2008), Chasing 3000 (2008), and Elsewhere (2009). She also guest-starred in one episode of The Cleaner, and in one episode of CSI: NY. She had a recurring role as a lab technician on season 6 of Cold Case.

In 2006, she wrote, edited and directed the short film Cell Division. The film has won one of the three certificates of merit awards at The Fort Lauderdale International Film Festival.

She has appeared in videos for Maroon 5's "Won't Go Home Without You" in 2007, Cursive's "I Couldn't Love You" in 2009, and Arshad Aslam's "Red Alert" in 2012.

She is working on her first feature as a director—a crime thriller she wrote set in Orange County called Little Saigon.

Read more about this topic:  Tania Raymonde

Famous quotes containing the words life and/or career:

    In my dreams is a country where the State is the Church and the Church the people: three in one and one in three. It is a commonwealth in which work is play and play is life: three in one and one in three. It is a temple in which the priest is the worshiper and the worshiper the worshipped: three in one and one in three. It is a godhead in which all life is human and all humanity divine: three in one and one in three.
    George Bernard Shaw (1856–1950)

    I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.
    Ruth Behar (b. 1956)