Premise and Major Characters
Set in the South Pacific in 1938, the series is about an ex-Flying Tigers pilot named Jake Cutter (Stephen Collins). Now the operator of an air cargo delivery service based on the fictional South Seas island Bora Gora, he flies a red and white Grumman Goose called Cutter's Goose. Jake's best friend is his mechanic Corky (Jeff MacKay), a good-hearted alcoholic whose memory is hazy as a result of the quantity of booze he consumes. However, a one-eyed Jack Russell terrier named Jack, who barks once for "no" and twice for "yes" (or the opposite if it suits him) would dispute just who Jake's best friend really is. Jack wears an eye patch, but used to have a false eye made of opal with a star sapphire center that Jake lost in a poker game—and refuses to let Jake forget it.
Jake's love interest/U.S. Government spy contact is Sarah Stickney White (Caitlin O'Heaney). She sings in the Monkey Bar as a cover for her espionage activities. The Reverend Willie Tenboom (John Calvin), a phony man of the cloth who likes to "bless" the female natives in private "prayer", is in actuality a Nazi spy named Willy, with interests in both sides.
"Bon Chance" Louie (played by Ron Moody in the pilot, Roddy McDowall in the series) is the owner of the Monkey Bar and the French magistrate for Bora Gora. Jake's nemesis is the Japanese princess Koji (Marta DuBois), a Dragon Lady type of character who has eyes for Jake. Koji's devoted bodyguard is Todo (John Fujioka), a fierce practitioner of Bushido and loyal to the princess. (Although Calvin, DuBois and Fujioka were billed on the opening credits of each episode, they actually only appeared on a semi-regular basis in a handful of episodes.)
The title is derived from a valuable statue that is the focal point of the pilot episode, that is kept at the Monkey Bar for the rest of the series.
Read more about this topic: Tales Of The Gold Monkey
Famous quotes containing the words premise, major and/or characters:
“We have to give ourselves—men in particular—permission to really be with and get to know our children. The premise is that taking care of kids can be a pain in the ass, and it is frustrating and agonizing, but also gratifying and enjoyable. When a little kid says, “I love you, Daddy,” or cries and you comfort her or him, life becomes a richer experience.”
—Anonymous Father. Ourselves and Our Children, by Boston Women’s Health Book Collective, ch. 3 (1978)
“True spoiling is nothing to do with what a child owns or with amount of attention he gets. he can have the major part of your income, living space and attention and not be spoiled, or he can have very little and be spoiled. It is not what he gets that is at issue. It is how and why he gets it. Spoiling is to do with the family balance of power.”
—Penelope Leach (20th century)
“Unresolved dissonances between the characters and dispositions of the parents continue to reverberate in the nature of the child and make up the history of its inner sufferings.”
—Friedrich Nietzsche (1844–1900)