Cover Versions and Usage in Media
See also: List of Madonna tribute albums- Serbian pop singer Bebi Dol released Serbian language-cover literally titled "Pokloni se", on her 1995 album Ritam srca.
- Philippine bossa nova singer Sitti recorded a cover of this song for her second album My Bossa Nova.
- Korean rock band Jaurim covered the song on their album The Youth Admiration.
- Trisha Yearwood and Babyface covered the song on CMT's Crossroads, which aired on September 21, 2007.
- Melissa Totten did a Hi-NRG cover for her 2008 dance album Forever Madonna.
- American pop folk singer Matt Alber plays an acoustic cover on his 2011 album Constant Crows.
- "Take a Bow" was featured in the final episode of the first season of Friends, "The One Where Rachel Finds Out", when Rachel goes to the airport to tell Ross that she knows he is in love with her. "Take a Bow" was also used in promos for the final season of Beverly Hills, 90210.
Read more about this topic: Take A Bow (Madonna Song)
Famous quotes containing the words cover, versions, usage and/or media:
“There is nothing more poetic and terrible than the skyscrapers battle with the heavens that cover them. Snow, rain, and mist highlight, drench, or conceal the vast towers, but those towers, hostile to mystery and blind to any sort of play, shear off the rains tresses and shine their three thousand swords through the soft swan of the fog.”
—Federico García Lorca (18981936)
“The assumption must be that those who can see value only in tradition, or versions of it, deny mans ability to adapt to changing circumstances.”
—Stephen Bayley (b. 1951)
“Pythagoras, Locke, Socratesbut pages
Might be filled up, as vainly as before,
With the sad usage of all sorts of sages,
Who in his life-time, each was deemed a bore!
The loftiest minds outrun their tardy ages.”
—George Gordon Noel Byron (17881824)
“The media network has its idols, but its principal idol is its own style which generates an aura of winning and leaves the rest in darkness. It recognises neither pity nor pitilessness.”
—John Berger (b. 1926)