Symphony No. 8 (Bruckner) - Premiere and Reception

Premiere and Reception

By the time the 1890 revision was complete Hermann Levi was no longer conducting concerts in Munich: as a result he recommended that his protege Felix Weingartner, Kapellmeister of Mannheim, lead the first performance of the Symphony. The premiere was twice scheduled to occur under the young conductor's direction during 1891, but each time Weingartner substituted another work at the last minute. Eventually the conductor told Bruckner that he was unable to undertake the performance because he was about to take up a new position at the Berlin Opera. However, Weingartner admitted, in a letter to Levi, that the real reason that he was unable to perform the symphony was because the work was too difficult and he did not have enough rehearsal time: in particular the Wagner tuba players in his orchestra did not have enough experience to cope with their parts.

After a possible Munich performance by Levi was canceled because of a feared outbreak of cholera, Bruckner focused his efforts on securing a Vienna premiere for the symphony. At last Hans Richter, subscription conductor of the Vienna Philharmonic Orchestra, agreed to conduct the work. The first performance took place on 18 December 1892. Although some of the more conservative members of the audience left at the end of each movement, many of Bruckner's supporters were also present, including Hugo Wolf and Johann Strauss.

The well known critic Eduard Hanslick left after the slow movement. His review described the symphony as "interesting in detail, but strange as a whole, indeed repellent. The peculiarity of this work consists, to put it briefly, in importing Wagner's dramatic style into the symphony." (Korstvedt points out that this was less negative than Hanslick's reviews of Bruckner's earlier symphonies). There were also many positive reviews from Bruckner's admirers. One anonymous writer described the symphony as "the crown of music in our time". Hugo Wolf wrote to a friend that the symphony was "the work of a giant" that "surpasses the other symphonies of the master in intellectual scope, awesomeness, and greatness".

The symphony was slow to enter the orchestral repertoire. Only two further performances occurred during Bruckner's lifetime. The American premiere did not take place until 1909, while the symphony had to wait until 1929 for its first London performance.

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