Program
There exists much evidence that Bruckner had a program in mind for the Fourth Symphony. In a letter to conductor Hermann Levi of 8 December 1884, Bruckner wrote: "In the first movement after a full night's sleep the day is announced by the horn, 2nd movement song, 3rd movement hunting trio, musical entertainment of the hunters in the wood. There is a similar passage in a letter from the composer to Paul Heyse of 22 December 1890: "In the first movement of the "Romantic" Fourth Symphony the intention is to depict the horn that proclaims the day from the town hall! Then life goes on; in the Gesangsperiode the theme is the song of the great tit Zizipe. 2nd movement: song, prayer, serenade. 3rd: hunt and in the Trio how a barrel-organ plays during the midday meal in the forest.
The autograph of the Scherzo and Finale of the 1878 version of the symphony contains markings such as Jagdthema (hunting theme), Tanzweise während der Mahlzeit auf der Jagd (dance tune during the lunch break while hunting) and Volksfest (people's festival). In addition to these clues that come directly from Bruckner, the musicologist Theodor Helm communicated a more detailed account reported via the composer's associate Bernhard Deubler: "Mediaeval city -- Daybreak -- Morning calls sound from the city towers -- the gates open -- On proud horses the knights burst out into the open, the magic of nature envelops them -- forest murmurs -- bird song -- and so the Romantic picture develops further...
There does not seem to be any clear hint of a program for the third version (1880) of the symphony's finale.
Read more about this topic: Symphony No. 4 (Bruckner)
Famous quotes containing the word program:
“Typical of Iowa towns, whether they have 200 or 20,000 inhabitants, is the church supper, often utilized to raise money for paying off church debts. The older and more conservative members argue that the House of the Lord should not be made into a restaurant; nevertheless, all members contribute time and effort, and the products of their gardens and larders.”
—For the State of Iowa, U.S. public relief program (1935-1943)
“The square dance fiddlers first concern is to carry a tune, but he must carry it loud enough to be heard over the noise of stamping feet, the cries of the caller, and the shouts of the dancers. When he fiddles, he fiddles all over; feet, hands, knees, head, and eyes are all busy.”
—State of Oklahoma, U.S. public relief program (1935-1943)
“Hear me, he said to the white commander. I am tired. My heart is sick and sad. Our chiefs are dead; the little children are freezing. My people have no blankets, no food. From where the sun stands, I will fight no more forever.”
—For the State of Montana, U.S. public relief program (1935-1943)