Personal Life
As a single woman, Sidney was involved in an affair with B.P. Schulberg at Paramount Pictures. When Schulberg's previous mistress, Clara Bow, began experiencing personal problems in 1931, Sidney replaced her in City Streets.
Sidney was married three times. She first married publisher Bennett Cerf on 1 October 1935, but the couple were divorced shortly after on April 9, 1936. She then was married to actor and acting teacher Luther Adler from 1938 until 1947, by whom she had a son, Jacob (Jody) (October 22, 1939 – 1987) who died of Lou Gehrig's disease. During her marriage to Luther Adler she was a sister-in-law to acclaimed stage actress and drama teacher Stella Adler. On March 5, 1947 she married radio producer and announcer Carlton Alsop. They were divorced on March 22, 1951.
Sidney died from throat cancer in New York City a month before her 89th birthday, after a career spanning more than 70 years. She was cremated. She had no close family when she died. She bequeathed her black pug Malcolm to the National Arts Club, where the canine became a much loved mascot and noted attender of social events, celebrated in a short film by Carol Wilder.
She was skilled at needlepoint. She sold needlepoint kits featuring her designs, and she published two popular instruction books: Sylvia Sidney's Needlepoint Book (1968) and The Sylvia Sidney Question and Answer Book on Needlepoint (1975).
Sidney was also a staunch Republican and conservative.
Sidney has a star on the Hollywood Walk of Fame for her contribution to Motion Pictures at 6245 Hollywood Boulevard.
Read more about this topic: Sylvia Sidney
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“A man lives not only his personal life, as an individual, but also, consciously or unconsciously, the life of his epoch and his contemporaries.”
—Thomas Mann (18751955)
“I want relations which are not purely personal, based on purely personal qualities; but relations based upon some unanimous accord in truth or belief, and a harmony of purpose, rather than of personality. I am weary of personality.... Let us be easy and impersonal, not forever fingering over our own souls, and the souls of our acquaintances, but trying to create a new life, a new common life, a new complete tree of life from the roots that are within us.”
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“I went back to my work, but now without enthusiasm. I had looked through an open door that I was not willing to see shut upon me. I began to reflect upon life rather seriously for a girl of twelve or thirteen. What was I here for? What could I make of myself? Must I submit to be carried along with the current, and do just what everybody else did?”
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