Types
A writing system using a syllabary is complete when it covers all syllables in the corresponding spoken language without requiring complex orthographic / graphemic rules, like implicit codas (⟨C1V⟩ ⇒ /C1VC2/) silent vowels (⟨C1V1+C2V2⟩ ⇒ /C1V1C2/) or echo vowels (⟨C1V1+C2V1⟩ ⇒ /C1V1C2/). This loosely corresponds to shallow orthographies in alphabetic writing systems.
True syllabograms are those that encompass all parts of a syllable, i.e. initial onset, medial nucleus and final coda, but since onset and coda are optional in at least some languages, there are middle (nucleus), start (onset-nucleus), end (nucleus-coda) and full (onset-nucleus-coda) true syllabograms. Most syllabaries only feature one or two kinds of syllabograms and form other syllables by graphemic rules.
Syllabograms, hence syllabaries, are pure, analytic or arbitrary if they do not share graphic similarities that correspond to phonic similarities, i.e. the symbol for ka does not resemble in any predictable way the symbol for ki, nor the symbol for a. Otherwise they are synthetic, if they vary by onset, rime, nucleus or coda, or systematic, if they vary by all of them. Some scholars, e.g. Daniels, reserve the general term for analytic syllabaries and invent other terms (abugida, abjad) as necessary.
Read more about this topic: Syllabary
Famous quotes containing the word types:
“The American man is a very simple and cheap mechanism. The American woman I find a complicated and expensive one. Contrasts of feminine types are possible. I am not absolutely sure that there is more than one American man.”
—Henry Brooks Adams (1838–1918)
“If there is nothing new on the earth, still the traveler always has a resource in the skies. They are constantly turning a new page to view. The wind sets the types on this blue ground, and the inquiring may always read a new truth there.”
—Henry David Thoreau (1817–1862)
“Our major universities are now stuck with an army of pedestrian, toadying careerists, Fifties types who wave around Sixties banners to conceal their record of ruthless, beaverlike tunneling to the top.”
—Camille Paglia (b. 1947)