History
Prior to British settlement, the north-western part of the present park area would have been a forest of turpentine and ironbark trees, grading down towards the south-eastern area, situated on Botany Sands, which would have been swamp, marsh and heathland associated with the waterway that became known as Shea’s Creek. The woodland area was first cleared by Thomas Smyth, a marine sergeant with the First Fleet, who planted fruit trees and grain crops.
The north-west part of the park is situated over a bed of Wianamatta shale which became a valuable source of brick-making clay. Brick manufacture on the site was a major industry by the 1870s when machine manufacture was introduced. Bricks made here were widely used around Sydney’s suburbs for more than 100 years and the first batch of machine-made bricks was used for the construction of the Farmers’ Building on the corner of Market Street, Sydney. Josiah Gentle opened the Bedford Brickworks in 1893. In 1933, it was taken over by Austral Bricks, who had a large brickworks in Cowper Street, Marrickville. They operated the site until the brickworks closed in 1970. Their Marrickville site was closed down in 1983. Other parts of the Alexandria site were used for a variety of industrial purposes including manufacturing, warehousing and gas storage. The brickworks are heritage-listed. They are also used by homeless people.
From 1948 to 1976 the massive clay pits that had been excavated were used as a municipal waste tip. After the closure of the tip, the area was reclaimed by placing layers of soil and building rubble over the refuse dump to create the present parkland profile.
A 360° panorama from one of the hilltops at Sydney Park.Read more about this topic: Sydney Park
Famous quotes containing the word history:
“When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart, some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by hand—a center of gravity.”
—Adrienne Rich (b. 1929)
“No one can understand Paris and its history who does not understand that its fierceness is the balance and justification of its frivolity. It is called a city of pleasure; but it may also very specially be called a city of pain. The crown of roses is also a crown of thorns. Its people are too prone to hurt others, but quite ready also to hurt themselves. They are martyrs for religion, they are martyrs for irreligion; they are even martyrs for immorality.”
—Gilbert Keith Chesterton (1874–1936)
“There is a constant in the average American imagination and taste, for which the past must be preserved and celebrated in full-scale authentic copy; a philosophy of immortality as duplication. It dominates the relation with the self, with the past, not infrequently with the present, always with History and, even, with the European tradition.”
—Umberto Eco (b. 1932)