Character
A parody of television chefs, the Swedish Chef wears a toque blanche and has bushy eyebrows that completely obscure his eyes. He was one of the few Muppets to employ an actual puppeteer's hands, originally Oz's, in the designs – that is, they were visible to the audience through his sleeves and facilitated handling food and utensils.
Nearly all Swedish Chef sketches begin with him in a kitchen, waving some utensils while singing his signature song in his typical mock Swedish – a semi-comprehensible gibberish mimicking Swedish phonology and prosody. The song's lyrics vary slightly from one episode to the next, but always end with "Bork, bork, bork!" as the Chef throws the utensils (or whatever else may be in his hands) aside with a clatter that seems to startle him.
After this introduction, the Chef begins to prepare a recipe while giving a gibberish explanation of what he is doing. His commentary is spiced with the occasional English word to clue in the viewer to what he is attempting; for example, "Aweenda shmure da froog's legs." These hints are necessary as he frequently uses unorthodox culinary equipment (firearms, sports equipment, hand tools, etc.) to prepare his dishes. In the pilot episode of The Muppet Show, the Chef's commentary was supplemented by Chinese subtitles, but this was abandoned for all other episodes of the series. The sketch typically degenerates into a slapstick finale where the ingredients or equipment get the better of him.
In one sketch, a misaimed explosive charge slightly damaged the face of the puppet. The Chef's face remained scarred through the rest of the season.
The Chef is referred to by name in one episode, in which Danny Kaye plays his uncle. Kaye reels off a very long name but adds, "But we call him Tom" – much to the Chef's amusement. In 2010, the Chef was seen wearing a wedding ring, implying that the character is married.
Read more about this topic: Swedish Chef
Famous quotes containing the word character:
“Science asks no questions about the ontological pedigree or a priori character of a theory, but is content to judge it by its performance; and it is thus that a knowledge of nature, having all the certainty which the senses are competent to inspire, has been attained—a knowledge which maintains a strict neutrality toward all philosophical systems and concerns itself not with the genesis or a priori grounds of ideas.”
—Chauncey Wright (1830–1875)
“Modern thought has transferred the spectral character of Death to the notion of time itself. Time has become Death triumphant over all.”
—John Berger (b. 1926)
“To note an artist’s limitations is but to define his talent. A reporter can write equally well about everything that is presented to his view, but a creative writer can do his best only with what lies within the range and character of his deepest sympathies.”
—Willa Cather (1876–1947)