Sweden - Culture

Culture

Sweden has many authors of worldwide recognition including August Strindberg, Astrid Lindgren, and Nobel Prize winners Selma Lagerlöf and Harry Martinson. In total seven Nobel Prizes in Literature have been awarded to Swedes. The nation's most well-known artists are painters such as Carl Larsson and Anders Zorn, and the sculptors Tobias Sergel and Carl Milles.

Swedish 20th-century culture is noted by pioneering works in the early days of cinema, with Mauritz Stiller and Victor Sjöström. In the 1920s–1980s, the filmmaker Ingmar Bergman and actors Greta Garbo and Ingrid Bergman became internationally noted people within cinema. More recently, the films of Lukas Moodysson and Lasse Hallström have received international recognition.

Throughout the 1960s and 1970s Sweden was seen as an international leader in what is now referred to as the "sexual revolution", with gender equality having particularly been promoted. At the present time, the number of single people is one of the highest in the world. The early Swedish film I Am Curious (Yellow) (1967) reflected a liberal view of sexuality, including scenes of love making that caught international attention, and introduced the concept of the "Swedish sin". The image of "hot love and cold people“ emerged. Sexual liberalism was seen as part of modernization process that by breaking down traditional borders would lead to the emancipation of natural forces and desires.

Sweden has also become very liberal towards homosexuality, as is reflected in the popular acceptance of films such as Show Me Love, which is about two young lesbians in the small Swedish town of Åmål. Since 1 May 2009, Sweden repealed its "registered partnership" laws and fully replaced them with gender-neutral marriage, Sweden also offers domestic partnerships for both same-sex and opposite-sex couples. Cohabitation (sammanboende) by couples of all ages, including teenagers as well as elderly couples, is widespread. Recently, Sweden is experiencing a baby boom.

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Famous quotes containing the word culture:

    No race has the last word on culture and on civilization. You do not know what the black man is capable of; you do not know what he is thinking and therefore you do not know what the oppressed and suppressed Negro, by virtue of his condition and circumstance, may give to the world as a surprise.
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    The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.
    Friedrich Nietzsche (1844–1900)