Context
General Surena was son of Arakhsh (Arash in Persian) and Massis.
In Life of Crassus 21, written c. 225 years after the commander's time, Plutarch described Surena as "an extremely distinguished man. In wealth, birth, and in the honor paid to him, he ranked next after the king; in courage and ability he was the foremost Parthian of his time; and in stature and personal beauty he had no equal." Also according to Plutarch, there were "many slaves" in his army, suggesting the general had great wealth. Plutarch also described him as "the tallest and finest looking man himself, but the delicacy of his looks and effeminacy of his dress did not promise so much manhood as he really was master of; or his face was painted, and his hair parted after the fashion of the Medes."
In 54 BC, Surena commanded troops of Orodes II at the battle for the city of Seleucia. Surena distinguished himself in this battle for dynastic succession (Orodes II had previously been deposed by Mithridates III) and was instrumental in the reinstatement of Orodes upon the Arsacid throne.
In 53 BC, the Romans advanced on the western Arsacid vassalaries. In response, Orodes II sent his cavalry units under Surena to combat them. The two armies subsequently met at Battle of Carrhae (at Harrân in present-day Turkey), where the superior equipment and clever tactics of the Parthians to lure the Romans out into the middle of the desert enabled them to defeat the numerically superior Romans.
Although this feat of arms took a severe toll on the Roman troops (Plutarch speaks of 20,000 dead and 10,000 prisoners), and "produced a mighty echo amongst the peoples of the East," it did not cause "any decisive shift in the balance of power," that is, the Arsacid victory did not gain them territory. For Surena, "it soon cost him his life. Probably fearing that he would constitute a threat to himself, King Orodes II had him executed."
"In some ways, the position of in the historical tradition is curiously parallel to that of Rustam in the ." "Yet despite the predominance of Rustam in the epic tradition, it has never been possible to find him a convincingly historical niche."
The last composition of the 17th century French dramatist Pierre Corneille, a tragedy titled Suréna, is roughly based on the story of General Surena.
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