Writing
Plot lines for the first incarnation of the Super Friends did not involve any of the familiar DC Comics super-villains. They focused on the far-fetched schemes of mad scientists and aliens, who were invariably revealed as being well-intentioned, and simply pursuing their goals through unlawful or disreputable means. Typically, at the end of each story, all that is needed is a peaceful and reasonable discussion to convince the antagonists to adopt more reasonable methods.
The All-New Super Friends Hour departed somewhat from the previous series' formula by featuring villains using more violent methods to further their goals; as a rule they could not be reasoned with, requiring the heroes to use force to stop them. Beginning with Challenge of the Super Friends, several of the heroes' arch-villains from the comic books (such as Lex Luthor and The Riddler) began to feature prominently in comic-style stories. Throughout the series, plots often wrapped themselves up neatly in the final minutes of an episode in typical deus ex machina fashion.
Read more about this topic: Super Friends
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“Life.—No, I’ve nothing to teach you about it for the moment. May be writing about it another week.”
—E.M. (Edward Morgan)
“The question mark is alright when it is all alone when it
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—Gertrude Stein (1874–1946)
“Nine-tenths of the value of a sense of humor in writing is not in the things it makes one write but in the things it keeps one from writing. It is especially valuable in this respect in serious writing, and no one without a sense of humor should ever write seriously. For without knowing what is funny, one is constantly in danger of being funny without knowing it.”
—Robert Benchley (1889–1945)