Proportions
The head of a super deformed character is normally anywhere between one third (1:3 ratio) and one half (1:2 ratio) the character's height, often a golden ratio (38 percent), with the eyes taking up much of the space on the head. Some artists may use alternative proportions. There are other exaggerated proportions (such as the 1/5 proportion, as used by Tales of Eternia, etc.) that are popular in anime, but are not considered SD.
In addition to their modified proportions, super deformed characters typically lack the detail of their normal counterparts. As a result, when a character of average proportions is depicted as a super deformed character, certain aspects of his or her design will be simplified and others will be exaggerated. Details such as folds on a jacket are ignored, and general shapes are favored. If a character has a signature characteristic (odd hair, a particular accessory, etc.) this will typically be prominent on the super deformed version of the character.
Read more about this topic: Super Deformed
Famous quotes containing the word proportions:
“A ‘spasm band’ is a miscellaneous collection of a soap box, tin cans, pan tops, nails, drumsticks, and little Negro boys. When mixed in the proper proportions this results in the wildest shuffle dancing, accompanied by a bumping rhythm.”
—For the City of New Orleans, U.S. public relief program (1935-1943)
“I see every thing I paint in this world, but everybody does not see alike. To the eyes of a miser a guinea is more beautiful than the sun, and a bag worn with the use of money has more beautiful proportions than a vine filled with grapes.”
—William Blake (1757–1827)
“An amoeba is a formless thing which takes many shapes. It moves by thrusting out an arm, and flowing into the arm. It multiplies by pulling itself in two, without permanently diminishing the original. So with words. A meaning may develop on the periphery of the body of meanings associated with a word, and shortly this tentacle-meaning has grown to such proportions that it dwarfs all other meanings.”
—Charlton Laird (b. 1901)