Style
Suburban Legends' style of music has evolved over time and is different from that of other ska bands. While earlier material being heavily rooted in ska, the 2006 release Dance Like Nobody's Watching brought a different sound took ideas and influence from disco, funk, and pop, some songs on the EP containing little to no ska sound at all. The band furthered its distance from ska with the 2007 release of Infectious, heavily focusing on disco on the record. The band has not abandoned their earlier sound, though, regularly performing older material alongside their current work.
The 2008 album Let's Be Friends combines elements from all their previous releases. In May 2009, the band announced that they would be recording a "full blown ska rock album," not simply a ska-influenced album because they have horns or an album with only a few ska songs. Further supporting the band's transition back to ska, less time was devoted in live performances to songs found on more recent albums, such as Infectious, with the band reintroducing older songs such as "Alternative is Dead," "Gummi Bears," "I Want More," and "Waikiki," all of which were found either on Origin Edition (1999) and Suburban Legends (2001). The band has been playing these songs and other from that era ever since. In 2009 the band also started performing a new ska song, "Open Up Your Eyes", which later appeared on their 2010 Going on Tour EP and their 2012 Day Job album.
Part of the band's claim to fame has been its live shows which often involve dance routines far more complicated than those often found in ska bands, as horn playing usually inhibits movement on stage.
Read more about this topic: Suburban Legends
Famous quotes containing the word style:
“A style does not go out of style as long as it adapts itself to its period. When there is an incompatibility between the style and a certain state of mind, it is never the style that triumphs.”
—Coco Chanel (1883–1971)
“The habit some writers indulge in of perpetual quotation is one it behoves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style c’est l’homme, what is likely to happen if l’homme is for ever eking out his own personality with that of some other individual?”
—Dame Ethel Smyth (1858–1944)
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
—Helen Hayes (1900–1993)