Suburban Legends - Style

Style

Suburban Legends' style of music has evolved over time and is different from that of other ska bands. While earlier material being heavily rooted in ska, the 2006 release Dance Like Nobody's Watching brought a different sound took ideas and influence from disco, funk, and pop, some songs on the EP containing little to no ska sound at all. The band furthered its distance from ska with the 2007 release of Infectious, heavily focusing on disco on the record. The band has not abandoned their earlier sound, though, regularly performing older material alongside their current work.

The 2008 album Let's Be Friends combines elements from all their previous releases. In May 2009, the band announced that they would be recording a "full blown ska rock album," not simply a ska-influenced album because they have horns or an album with only a few ska songs. Further supporting the band's transition back to ska, less time was devoted in live performances to songs found on more recent albums, such as Infectious, with the band reintroducing older songs such as "Alternative is Dead," "Gummi Bears," "I Want More," and "Waikiki," all of which were found either on Origin Edition (1999) and Suburban Legends (2001). The band has been playing these songs and other from that era ever since. In 2009 the band also started performing a new ska song, "Open Up Your Eyes", which later appeared on their 2010 Going on Tour EP and their 2012 Day Job album.

Part of the band's claim to fame has been its live shows which often involve dance routines far more complicated than those often found in ska bands, as horn playing usually inhibits movement on stage.

Read more about this topic:  Suburban Legends

Famous quotes containing the word style:

    The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.
    Edgar Allan Poe (1809–1849)

    All my stories are webs of style and none seems at first blush to contain much kinetic matter.... For me “style” is matter.
    Vladimir Nabokov (1899–1977)

    Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germans—forgive me the fact that even Goethe’s prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the “good old time” to which it belongs, and a reflection of German taste at a time when there still was a “German taste”Ma rococo taste in moribus et artibus.
    Friedrich Nietzsche (1844–1900)