Stupid Girl (Garbage Song)

Stupid Girl (Garbage Song)

"Stupid Girl" is a song recorded by alternative rock band Garbage for the band's self-titled debut studio album. The song was composed and produced by bandmembers Duke Erikson, Shirley Manson, Steve Marker and Butch Vig. "Stupid Girl" features lyrics about female empowerment, and a musical arrangement centered around both a repetitive bassline and a drum sample from The Clash's 1980 hit "Train in Vain".

The song was released by Almo Sounds in North America and Mushroom Records worldwide as the band's fourth international single in 1996. "Stupid Girl" became their biggest hit in United States and the United Kingdom, with its performance on the charts driven by an innovative music video and remixes which gained massive airplay across the world. The success of "Stupid Girl" propelled sales of its parent album Garbage into the top twenty of the Billboard 200 and into the top ten of the UK Albums Chart.

Reviews of the song were positive, with praise to the production. "Stupid Girl" was nominated for two Grammy Awards, Best Rock Song and Best Rock Performance by a Duo or Group, as well as the Danish Grammy for Best Rock Song, an MTV Video Music Award for Best New Artist and an MTV Europe Music Award for Best Song.

Read more about Stupid Girl (Garbage Song):  Formats and Track Listings, Music Video, Critical Reception and Legacy, Charts

Famous quotes containing the words stupid and/or girl:

    My job as a reservationist was very routine, computerized ... I had no free will. I was just part of that stupid computer.
    Beryl Simpson, U.S. employment counselor; former airline reservationist. As quoted in Working, book 2, by Studs Terkel (1973)

    There are two kinds of fathers in traditional households: the fathers of sons and the fathers of daughters. These two kinds of fathers sometimes co-exist in one and the same man. For instance, Daughter’s Father kisses his little girl goodnight, strokes her hair, hugs her warmly, then goes into the next room where he becomes Son’s Father, who says in a hearty voice, perhaps with a light punch on the boy’s shoulder: “Goodnight, Son, see ya in the morning.”
    Letty Cottin Pogrebin (20th century)