Criticism
In a 1971 paper for Socialist Register, Polish philosopher Leszek Kolakowski undertook a detailed critique of structural Marxism, arguing that the concept was seriously flawed on three main points:
- I will argue that the whole of Althusser's theory is made up of the following elements : 1. common sense banalities expressed with the help of unnecessarily complicated neologisms; 2. traditional Marxist concepts that are vague and ambiguous in Marx himself (or in Engels) and which remain, after Althusser's explanation, exactly as vague and ambiguous as they were before; 3. some striking historical inexactitudes.
Kolakowski further argued that, despite Althusser's claims of scientific rigor, structural Marxism was unfalsifiable and thus unscientific, and was best understood as a quasi-religious ideology. In 1980, sociologist Axel van den Berg described Kolakowski's critique as "devastating," proving that "Althusser retains the orthodox radical rhetoric by simply severing all connections with verifiable facts."
Similar arguments have been made concerning structural theories of the capitalist nature of the state. Claus Offe averred that the class-character of the state could only be observed in an ex post perspective. In other words, the class character of the state can only be shown after policies are put in place and the outcome is observed. Because of this, he criticizes structural theories which attempt to prove the capitalist character of the state, claiming they do so on an unfounded basis: because outcomes of the state's policies are empirically capitalist, it does not make the State a capitalist enterprise in its nature.
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Famous quotes containing the word criticism:
“It is ... pathetic to observe the complete lack of imagination on the part of certain employers and men and women of the upper-income levels, equally devoid of experience, equally glib with their criticism ... directed against workers, labor leaders, and other villains and personal devils who are the objects of their dart-throwing. Who doesn’t know the wealthy woman who fulminates against the “idle” workers who just won’t get out and hunt jobs?”
—Mary Barnett Gilson (1877–?)
“The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.”
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“However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.”
—Henry David Thoreau (1817–1862)