Setting
The Stravaganza series is primarily set in Talia, which is based on Italy during the Renaissance in the 16th century. Most notably, the primary antagonists in the series, the di Chimici family, were inspired by the de Medici family. In the series, it is established that a number of differences exist between Talia and Italy in the 16th century in both historical, religious, and scientific ways.
The existence of Talia parallels the contemporary 21st century world of England, which serves as a secondary setting and the origin of the protagonists of each book in the series. Individuals capable of moving between worlds are known as Stravaganti; a Stravagante's ability to move between worlds is facilitated by a talisman, an object that originally came from the world opposite to the traveler's own world.
The country of Talia comprises twelve city-states, each which have their own equivalents in this world, and appellations referring a unique quality of the city. Half of these city-states are under the political control of members of the di Chimici family, whose strongholds lie in Giglia and in Remora, which is also home to a di Chimici Pope. The few cities which remain outside di Chimici control are either still negotiating political treaties with the di Chimici (Montemurato), or remain independent (Bellezza, Classe, Romula, Padavia, and Cittanuova).
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Famous quotes containing the word setting:
“May we two stand,
When we are dead, beyond the setting suns,
A little from other shades apart,
With mingling hair, and play upon one lute.”
—William Butler Yeats (1865–1939)
“The world is ... the natural setting of, and field for, all my thoughts and all my explicit perceptions. Truth does not “inhabit” only “the inner man,” or more accurately, there is no inner man, man is in the world, and only in the world does he know himself.”
—Maurice Merleau-Ponty (1907–1961)
“One of my playmates, who was apprenticed to a printer, and was somewhat of a wag, asked his master one afternoon if he might go a-fishing, and his master consented. He was gone three months. When he came back, he said that he had been to the Grand Banks, and went to setting type again as if only an afternoon had intervened.”
—Henry David Thoreau (1817–1862)