Stravaganza (series) - Setting

Setting

The Stravaganza series is primarily set in Talia, which is based on Italy during the Renaissance in the 16th century. Most notably, the primary antagonists in the series, the di Chimici family, were inspired by the de Medici family. In the series, it is established that a number of differences exist between Talia and Italy in the 16th century in both historical, religious, and scientific ways.

The existence of Talia parallels the contemporary 21st century world of England, which serves as a secondary setting and the origin of the protagonists of each book in the series. Individuals capable of moving between worlds are known as Stravaganti; a Stravagante's ability to move between worlds is facilitated by a talisman, an object that originally came from the world opposite to the traveler's own world.

The country of Talia comprises twelve city-states, each which have their own equivalents in this world, and appellations referring a unique quality of the city. Half of these city-states are under the political control of members of the di Chimici family, whose strongholds lie in Giglia and in Remora, which is also home to a di Chimici Pope. The few cities which remain outside di Chimici control are either still negotiating political treaties with the di Chimici (Montemurato), or remain independent (Bellezza, Classe, Romula, Padavia, and Cittanuova).

Read more about this topic:  Stravaganza (series)

Famous quotes containing the word setting:

    The supreme, the merciless, the destroyer of opposition, the exalted King, the shepherd, the protector of the quarters of the world, the King the word of whose mouth destroys mountains and seas, who by his lordly attack has forced mighty and merciless Kings from the rising of the sun to the setting of the same to acknowledge one supremacy.
    Ashurnasirpal II (r. 883–59 B.C.)

    A fit abode for a poet. Stage setting at least correct.
    Ezra Pound (1885–1972)

    We believe that Carlyle has, after all, more readers, and is better known to-day for this very originality of style, and that posterity will have reason to thank him for emancipating the language, in some measure, from the fetters which a merely conservative, aimless, and pedantic literary class had imposed upon it, and setting an example of greater freedom and naturalness.
    Henry David Thoreau (1817–1862)