Stone Drums of Qin - Inscriptions

Inscriptions

The ancient inscriptions on them are arranged in accordance with each stone's size and proportions, the largest stone bearing fifteen lines of five characters each, and a smaller one with nine lines of eight graphs each, neatly arranged as if in a grid. The contents are generally four-character rhymed verse in the style of the poems of the Shījīng (詩經), the Book of Poetry, a few lines of which they even paraphrase. The contents generally commemorate royal hunting and fishing activities.

Originally thought to bear about 700 characters in all, the Stone Drums were already damaged by the time they are mentioned in the Táng Dynasty (618-907 CE) poetry of Dù Fǔ. The drums had only 501 graphs by the Sòng Dynasty (960-1279 CE), when the best rubbings now surviving were made (Mattos, p. 57). They have been further damaged through rough handling and repeated rubbings in the years since, and one was even converted into a mortar, destroying a third of it. A mere 272 characters are visible on the stones today. In the best rubbing, only 470 of the 501 characters are legible, or about 68% (Mattos p. 122); after omitting repeated graphs, this leaves us with a treasury of 265 different graphs, 49 of which are known from no other source (excluding recognizable variants). Even among recognizable graphs, scores of them are used in ways unattested elsewhere, leading to great difficulty and disagreement in their interpretation, a situation common to Zhoū dynasty inscriptions (Mattos p. 122).

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    “Our earth is degenerate in these latter days. Bribery and corruption are common. Children no longer obey their parents. . . . The end of the world is evidently approaching.” Sound familiar? It is, in fact, the lament of a scribe in one of the earliest inscriptions to be unearthed in Mesopotamia, where Western civilization was born.
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