History
The bridge has been altered somewhat from its original appearance. When the lock and dam was built at Saint Anthony Falls, two of the arches were replaced with a truss so barges could pass through the locks. Later, in 1965, floodwaters undermined three of the piers and caused the bridge to sag. The bridge was repaired by strengthening the piers and reinforcing underneath two of the arches.
When it was in rail service, the bridge carried trains of many railroads to and from the Minneapolis Great Northern Depot, including the Great Northern Railway's Empire Builder. The bridge ceased to be used as a railroad bridge in 1978, and after a period of disuse, was repaired and adapted in the early 1990s to its present use. The bike and walking trails across the bridge are integrated into the city's park and trail system, and form part of the St Anthony Falls Heritage Trail, which includes interpretive plaques describing the history of the area. The most recent renovations—including indirect lighting—were completed in late 2005. The lighting was paid for by private donations.
During the summer months, the Stone Arch Bridge is a focus of numerous festivals in the area of St. Anthony Main and Historic Main Street. The Stone Arch Festival of the Arts occurs Father's Day weekend and features many local artists. Fireworks displays on the Fourth of July and during the Minneapolis Aquatennial in late July also bring crowds; fireworks are launched from nearby Hennepin Island. The bridge offers views of the Minneapolis skyline, Pillsbury "A" Mill, the Mill City Museum, and many other places in the district, and is near both the restaurants of Main St SE and the Guthrie Theater.
Read more about this topic: Stone Arch Bridge (Minneapolis)
Famous quotes containing the word history:
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)
“Bias, point of view, fury—are they ... so dangerous and must they be ironed out of history, the hills flattened and the contours leveled? The professors talk ... about passion and point of view in history as a Calvinist talks about sin in the bedroom.”
—Catherine Drinker Bowen (1897–1973)
“I saw the Arab map.
It resembled a mare shuffling on,
dragging its history like saddlebags,
nearing its tomb and the pitch of hell.”
—Adonis [Ali Ahmed Said] (b. 1930)