Film
In total he wrote or co-wrote 47 feature films, including Village of the Damned, the Charles Bronson spy thriller Telefon, The Liberation of L.B. Jones, The Killer Elite, the Dirty Harry film The Enforcer and Over the Top (the latter with its star Sylvester Stallone).
In addition to the Academy Award, In the Heat of the Night also earned Silliphant an Edgar Award from the Mystery Writers of America, for Best Motion Picture Screenplay.
Silliphant also helped to pull film concepts together. He penned the screenplay for Shaft in Africa, the third film in the Shaft series. With Chatrichalerm Yukol, he co-wrote the screenplay to the 1994 Thai action film, Salween. His last screenplay was for the 1995 film, The Grass Harp.
Although Silliphant worked constantly in Hollywood, he had a well-known aversion against living in Southern California, where he had grown up. After he became successful and famous, he built a house for himself and his family in Tiburon, California, in the San Francisco Bay Area. He commuted regularly by air to Los Angeles.
He died in Bangkok, Thailand in 1996.
Read more about this topic: Stirling Silliphant
Famous quotes containing the word film:
“Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.”
—Ingmar Bergman (b. 1918)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“This film is apparently meaningless, but if it has any meaning it is doubtless objectionable.”
—British Board Of Film Censors. Quoted in Halliwell’s Filmgoer’s Companion (1984)